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Twisted
Laurel
Eugene Chadbourne, All Music
Guide:
Standing
at a crossroads of old-timey music and the kind of progressive thought
patterns and creativity that emerge in college towns such as the band's
home base of Chapel Hill, the Red Clay Ramblers created a discography that
is as much about making records as it is making music. The two biggest
influences on this project seem to be the culturally rich results of pioneer
recording efforts in American music in the '20s and '30s and the much later
explosion of musical creativity in the '60s, when every garage band got
to make a big artistic statement. As much as Twisted Laurel would
never have been possible without old-time hillbilly music, it also could
not exist without the example of albums such as the Band's Music From
Big Pink or the refined album efforts of John Prine. It is a meticulously
crafted piece of work which, if anything, could use a bit more looseness
and edge in its occasional stuffy moments. Sometimes the good-timey numbers
will prompt a listener to turn the volume down; it can be just too much
hyper energy, despite the brilliance of the recorded sound. Yet the band
seems to know when to pull back, following up the overdone pseudo-swing
of "The Corrugated Lady" with a marvelous solo vocal and fiddle tour de
force by Bill Hicks. The instrumental numbers such as "Flying Cloud Cotillon"
are masterful, the piano playing of Mike Craver an absolute delight. The
recording date is listed as 1967 on some copies of the album; however,
be assured that even the nervous Flying Fish label wouldn't have waited
nearly a decade to release this.
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Green Man Review of Twisted
Laurel and Merchants Lunch "...a unified masterpiece, not the least through
the sheer enthusiasm and top-notch musicianship of the Ramblers themselves."
Webgal's note: The entire review is no longer available
on the website, but we recently salvaged this much of it to give context
to the above quote: "Brendan Foreman found a true treasure: Red
Clay Ramblers' Twisted Laurel/Merchant's Lunch. Our reviewer says '...this
CD, a compilation of two albums from way, way back in 1976 and 1977, spans
practically the whole Americana gamut from the New England sound and old-time
country to cathouse jazz and vaudeville, and even a little bluegrass here
and there. Rather than coming across as a chaotic patchwork, though, this
collection of music feels like a unified masterpiece, not the least through
the sheer enthusiasm and top-notch musicianship of the Ramblers themselves.'
This review garners an Excellence in Writing Award."
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And another opinion on Twisted
Laurel - "The Red Clay Ramblers," The Unicorn Times, January, 1977, by
Terence
Winch
Twisted
Laurel Facts:
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Recorded
in June, 1976 (not 1967 as is on the cover!)
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Engineered
by Bill McElroy at Bias Recording Company, Falls Church, Virginia
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Produced
by the Red Clay Ramblers with Alice Gerrard, Bruce Kaplan, and Bill McElroy
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All arrangements
by the Red Clay Ramblers
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Jacket
design and illustration by Raymond Simone, Solar Plexus Enterprises
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Photos
by Cece Conway; photograph of Jack Herrick by Barbara Williams
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Flying
Fish FF 030 (1976)
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RCR: Bill
Hicks, Jack Herrick, Jim Watson, Mike Craver, Tommy Thompson
Songlist:
Blue
Jay/The Girl I left Behind Me, Twisted Laurel, The Hobo's Last Letter,
Rockingham Cindy (not on CD version), Mississippi Delta Blues, The
Telephone Girl, Will You Miss Me, The Ace, The Corrugated Lady, When Bacon
Was Scarce/Ryestraw, I Was Only Teasing You, Fifty Miles of Elbow Room,
Flying Cloud Cotillion, The Beale Street Blues
Outtake of the shot on the
back cover - photographer Cece Conway
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