The changes start with a largely revised script, but hardly end there. Jeff and Ed and I looked at the areas in the script where the daughter or the father narrated memories and developed dialogue and action to show, instead of tell, the memories. In addition, the set, designed by Jan Chambers, uses sheer black curtains to illustrate events in memory. The music is now provided by Greg Bell, James Leva, Julie Oliver, and Joe Newberry, under the direction of Joe Newberry. Although Julie and Greg did not know and work with Dad, they have worked with so many others who have, they feel that they knew him. Julie is a talented and versatile musician who worked in Bah Humbug among many other productions. Greg is a terrific musician who has done a lot of work with Mike Craver and plays piano with the same loving articulation I am used hearing from Mike. James and Joe both know and have worked directly with my Dad. All of these musicians are extremely accomplished folks who have tremendous experience in musical theater.  The music is a more integral part of the show, weaving in and out of scenes. One of the most salient changes is the addition of a scene to show Tommy at the height of his career. This scene is a musical song and dance number, the result of collaboration between Jeff Storer, Barbara Dickinson, and Joe Newberry. Audiences who remember Tommy's career should get a little taste from this scene of Mama Fantastic (from Diamond Studs), Merchants Lunch, and Tommy's one man show, John Proffit. All of the musicians play small roles in the play as well. Two other changes I want to mention are the addition of a scene which takes place in the original Hollow Rock Store, and the use of slides in the conclusion of the show, to illustrate very real memories. Visually and dramatically it has come alive: it is exciting, funny, and tragic. 

As Jeff put it, "Theater is a collaboration between the playwrights, the designers, the actors, and the director." It is no longer just my story, but (we hope) a universal story of growing up. I am honored that Jeff Storer and Ed Hunt liked my work and wanted to help develop it. I'm honored that Manbites Dog Theater is producing it, and honored that the show has received the gift of attention from fine, fine people and artists like Marcia Edmundson and David Ring, Joe Newberry, Julie Oliver, Greg Bell, James Leva, Jan Chambers, Rachel Zielenski, Barbara Dickinson, Jesse Belsky, Kay Webb, and Michael Brocki. I am honored that it is being supported by people in this community who believe in it, and who believe in Manbites Dog Theater, and I am grateful for the tremendous personal and professional education I have received through this process. 

When I watch rehearsals I am filled with happy anticipation. I think we have a great show here.